We are searching data for your request:
Upon completion, a link will appear to access the found materials.
In March 1906, the second exhibition of representatives of Fauvism was held. It was impossible not to notice a bright large picture of the leader of the Fauvists, Henri Matisse, called the "Joy of Life". The artist set to work on it a year earlier, while in the south of France.
Gaining impressions in the sunnier part of the country, Matisse went to embody the emerging ideas in a new workshop. The rented premises in an abandoned monastery turned out to be very spacious, and this, of course, had an impact on the masterpieces created here.
Freedom of space inspired freedom of thought. "Joy of Life" - a canvas measuring more than two meters wide, completely new in style not only for Matisse himself, but also for fine art as a whole. Its distinguishing features: large areas are shaded with the same color, the figures are summed up with distinct bold lines, the character of the image is similar to Persian miniatures and Japanese engravings.
The French painter skillfully conveyed a whirlwind of emotions through the play of color and the alteration of forms. "Joy of life" combines the motives of rampant bacchanalia and the peace of the pastoral. Naked figures of men and women are evenly distributed over the lower half of the canvas.
Surprisingly, the artist decided not always to adhere to the rule of perspective: figures of different sizes are located on the same level. Such a technique makes you lost in the space of the picture. Like a sweet color illusion, it absorbs the gaze, clinging to the figures of dancing, playing music and loving couples hugging.
The background for vacationers is the sky, sea, beach and thick trees. Spots of a bluish tint, greenery, orange and blinding yellow give rise to harmony and a sense of celebration in the soul.
At the exhibition "Joy of Life" was acquired by a collector from America Leo Stein. Now the canvas is exhibited in the United States in the Barnes Gallery.